Experience the Iconic Train Wreck Scene from “The Fugitive” in North Carolina

The train wreck scene from the 1993 film The Fugitive, starring Harrison Ford, was filmed using real trains and buses. The scene, which cost $1.5 million to produce, was executed in a single take without the use of CGI. The wreckage was left on-site after filming, and it remains visible today along the Great Smoky Mountains Railroad.

A Thrilling Sight for Fans

Visitors can view the wreckage from the Tuckasegee River Excursion offered by the Great Smoky Mountains Railroad. The excursion provides a scenic ride through the mountains, with the train passing by the iconic wreckage site. While the train doesn’t stop at the wreckage, passengers can catch glimpses of the remains during the journey.


Atmosphere & Décor

A Glimpse into Movie History

The wreckage site offers a unique opportunity to experience a piece of movie history. The remains of the train and buses are rusted and weathered, providing a stark contrast to the lush greenery of the surrounding area. The site is located on private land owned by the Great Smoky Mountains Railroad, and while there is no official parking area, visitors can view the wreckage from the train during the excursion.


Other Considerations

So, how much does it cost?

The Tuckasegee River Excursion ranges from $63 to $119, depending on the class of service. The excursion is available on select dates, so it’s recommended to book in advance to secure a spot.

When is the best time to visit?

The excursion operates seasonally, with the best times to visit being during the spring and fall when the weather is pleasant, and the foliage is vibrant.


The Fugitive Train Wreck
📍 1514 Haywood Rd, Dillsboro, NC

Website: https://www.greatsmokies.com/in-bryson-city-take-the-fugitive-escape-day-trip/

Samual Rivers
About the Author:

Samual Rivers

Sam is a 46-year-old outdoor guide and writer who specializes in the biodiversity of the Appalachian highlands. He has spent years mapping old-growth forests and documenting the oral histories of the mountain communities. His writing is deeply rooted in the concept of “place-memory” and the ethical stewardship of the land. Sam is a quiet individual who prefers a campfire to a computer screen, resulting in prose that feels grounded and timeless. He is particularly interested in the transition zones where the mountains meet the rolling hills of the Piedmont.

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