Pasaquan is a vibrant 7-acre dreamscape crafted by folk artist Eddie Owens Martin (1908–1986), better known as St. EOM. He inherited a farmhouse and land from his mother and in 1957 began transforming it into a living work of art. Over nearly three decades, he built six major structures, walls and sculptures, all painted and decorated with symbols, mandalas, concrete reliefs, and bold color. Many of the walls cover about four acres.
In 2008 it was listed in the National Register of Historic Places, recognizing its cultural and artistic significance. A major restoration led by the Kohler Foundation and Columbus State University from 2014-16 helped preserve St. EOM’s vision, enabling today’s visitors to see the work in restored form.
What visitors love most is the immersive, strange beauty of the place. The color, the symbolism, the eccentric architectural details—all of it creates a sense of stepping into someone’s inner mind. It’s contemplative, ornate, sometimes mystifying, but always memorable.
Atmosphere & Décor
The environment is intense and theatrical. Bright hues splash across walls, walkways, and totemic forms. Everywhere you turn there’s a mandala, face, or geometric pattern. The original 1885 farmhouse sits at the core, surrounded by sculpted concrete expanse, painted masonry, mirrored surfaces, and even found objects embedded in the texture of walls.
Walking through, you’ll feel contrasts: open sunny areas, shadowed nooks; large, boldly painted surfaces; quieter spaces for reflection. The site’s landscape (pine barrens, bamboo, surrounding rural Georgia) provides both a setting that frames and amplifies the art. There’s nearly always a sensory overload possibility—color, form, pattern—but that’s part of its appeal.
Other Considerations
So how’s the price?
Admission is modest—many visitors find the cost very reasonable given the uniqueness of the work and the drive required to get there.
What’s the best time to visit?
Mid-morning is good to avoid heat, since much of the site is outdoors. Spring and fall bring pleasant weather and more comfortable lighting. If possible, visit after restoration efforts so surfaces are fresh and colors more vivid.
How far is it, and is it remote?
It is somewhat remote. The drive involves rural roads, and signage can be sparse. Allow time for travel, maybe pair with other nearby attractions. The remoteness adds to the ambiance for many, making the arrival feel like a journey into someone’s personal cosmos.
Are there any downsides?
Yes. Some surfaces and paint have weathered over time; in spots things show age. Shade is limited in many parts, making summer visits hot. Also, if you expect large visitor amenities (cafes, big restrooms), those are minimal—this is more an immersive folk art compound than a full tourist complex.
Why Go?
Because Pasaquan is rare: it is not just artwork you observe, but art you enter. St. EOM’s philosophies, mysticism, patterns, and identity are embedded in every wall, every piece of concrete. Whether you come for art, for spiritual curiosity, for Instagram-worthy color, or simply to see something utterly unlike anything else, Pasaquan offers a full-spectrum experience.
Pasaquan
238 Eddie Martin Rd, Buena Vista, GA
Website: https://pasaquan.columbusstate.edu
